Seven plugins built for the dark side of the dancefloor. Drums that stumble in crooked time, synths that tangle themselves up, loops chopped into controlled chaos, and effects that make the whole floor sweat.
Every plugin is named after something you find on a building site or in a machine hall, and built to sound like a damp concrete floor.
Crooked beats. Rumble under everything.
Chops up sounds and makes crooked, polyrhythmic beats. Eight tracks, each with its own length and rate, sliding against each other.
Basslines that tangle and untangle.
Two basses, a stab and a lead. The basslines twist together, fall in and out of time, then untangle again. No drums, just synths.
Off balance. Always lands on the one.
Goes on the channel after the synth. Crushes the sound, chops it in crooked time, throws it into the echo and lets the rumble breathe.
Every hit forged on the grid.
A drum machine built around Euclidean sequencing. Set the steps and the hits for each track, rotate the pattern, and let the rhythms lock together into hard, rolling techno grooves.
One loop. A hundred ideas.
A techno machine that keeps throwing new variations at you while you turn the knobs. Built for minimal, acid and dark loop techno.
Chaos from order.
Load a loop, get a new beat. SMUTS cuts your loops apart and rebuilds them as fresh techno patterns.
Open the vault.
Deep basses, fat synths and odd acid sounds, ready to play from the first key. Echo and space that stay musical, never screechy.
In the 90s, Stockholm's heaviest techno club was in a rattling shipyard. It was called Docklands.
That's where I learned how techno should feel: the bass that makes the steel plates rattle, the floor that sweats, and the rhythm that drags behind, stumbles, and still always lands on the one.
Someone once said my music sounds like a damp concrete floor. I took it as a compliment.
I have spent twenty years working with my hands on machines. Now I build the ones I always wanted in my studio.
Phunkshunz AUDIO is a name I have carried since I was a kid. It is a play on "function": machines that do one thing, and do it hard.
Anything else? Ask through the store and you get an answer from the person who built the machines.
A Mac with macOS 11 Big Sur or later (Intel or Apple Silicon). BETONG and ARMERING also run on 64-bit Windows 10 or 11. They work in Bitwig, Ableton Live, Logic, FL Studio, Reaper and other hosts that load VST3 or AU.
After buying you get a zip file. Unzip it and run the install script: installera.command on Mac, installera.bat on Windows. It takes less than a minute. Then rescan plugins in your DAW.
Yes. New versions of what you bought are free.
BETONG and ARMERING come with both the Mac and the Windows version. The other machines are macOS for now. If Windows shows "Windows protected your PC", click More info and then Run anyway.
By card or PayPal at checkout through Payhip. VAT is calculated automatically based on where you live. You get the download link straight away.
For buyers in Sweden with a Swedish bank account. Card and PayPal work everywhere through the regular Buy button.